Romantic Poets and Poems
....
III.
Coleridge made use of the supernatural in many of his poems, and the use of the supernatural and other fantasy elements was part of the Romantic tradition ....
(974

4

)
Rime of the Ancient Mariner
.... souls did from their bodies fly,- -/They fled to bliss or woe!/And every soul, it passed me by,/Like the whizz of my CROSS-BOW" (
III. ....
Coleridge, Samuel Taylor. ....
(655

3

)
Shakespeare's Hamlet and Turn of the Screw
.... Volume
III, The Tragedies and Romances. Ed. AL Rowse. New York: Clarkson N. Potter, Inc., Publishers, 1978. Stoll, Elmer Edgar. "Symbolism in
Coleridge." PMLA ....
(1281

5

)
The character of Iago in Othello
.... that the mere "motive hunting of a motiveless malignity" as
Coleridge and numerous .... The vividness of the speech about "the green-eyed monster" (
III.3.168) thus ....
(1572

6

)
Romantic & Victorian Era Poetry
....
Coleridge, Samuel Taylor. .... how can the popular imagination think ill of "the Lionheart?" But why does he remain well-known, when kings like Edward
III are mere ....
(7793

31

)
The Rime of the Ancient Mariner: Differing Interpretations
....
Coleridge's invocation of ghosts, angel-like spirits of light, and the imagery of the snakes .... Part
III closes with the whizzing-by of the sailors who one by one ....
(4907

20

)
"Rhyme of the Ancient Mariner" "The
....
Coleridge, Samuel Taylor .... in the so-called Georgian style which was developed in England under the reigns of King George I, King George II, and King George
III. ....
(5464

22

)
Paradise Lost
.... can hold; so bent he seems On desperate revenge, that shall redound Upon his own rebellious head (
III, 80-86). ....
Coleridge justly compared it to that of Napoleon ....
(5393

22

)
Arthur Rimbaud
.... advance, when he ran away to Paris to witness the downfall of Napoleon
III. .... work in this sense follows that of Nietzsche, William Blake,
Coleridge, and Yeats ....
(2758

11

)
The poetry of Arthur Rimbaud
.... advance, when he ran away to Paris to witness the downfall of Napoleon
III. .... work in this sense follows that of Nietzsche, William Blake,
Coleridge, and Yeats ....
(2770

11

)
Various Literary Characters
.... C. A wedding guest: A wedding guest is a central figure in Samuel Taylor
Coleridge's poem The Rime of the Ancient Mariner. .... They should rather embrace it.
III. ....
(1689

7

)