History of the Blues There is little exact information a 
.... their fear of black articles [that] were indications of their awareness and resentment of their color" and the importance it held for others (
Oliver,
Blues 120 ....
(7246
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Musical Formalization of the Blues
.... In this regard,
Oliver describes the "central stream" of "
blues country" in terms of the railroads that were operating principally along the Mississippi River ....
(4751
19
)
Development of Jazz in the US
.... of some of the major types of early jazz--ragtime,
blues, New Orleans .... vital and exciting art form: Scott Joplin, Jelly Roll Morton, King
Oliver, Louis Armstrong ....
(2444
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Louis Armstrong
.... Harrison, Max. "Jazz." In Paul
Oliver, Max Harrison, and William Bolcom. The New Grove Gospel,
Blues and Jazz. New York: WW Norton & Company, 1986, 223-354. ....
(1896
8
)
Duke Ellington
.... The Enjoyment of Music. New York: WW
Oliver, Paul, Max Harrison and William Bolcom. The New Grove: Gospel,
Blues and Jazz. New York: WW Norton & Company, 1986. ....
(1688
7
)
New Orleans and the Development of Jazz
.... are integral to the jazz idiom -- just as the Mississippi Delta
Blues chords and .... as Jell Roll Morton and other musicians, including King
Oliver, Louis Armstrong ....
(2122
8
)
Forms of Jazz
.... Rushing; Big Joe Williams and Jack Teagarden, all of whom sang classic 12 bar
blues. .... 1917 Joe
Oliver called himself "King"
Oliver and moved to Chicago in 1918. ....
(8532
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Dixieland & Ragtime
.... twentieth century would recognize under various labels such as
blues and ragtime. .... when brilliant musicians such as Louis Armstrong and King
Oliver had absorbed ....
(2360
9
)
Langston Hughes
.... Previously confined to the South, jazz and
blues began to be played in northern cities .... from New Orleans to Chicago in 1922 to play with King
Oliver's jazz band ....
(1904
8
)
