Comedies and Romances of Shakespeare 
.... Nor is she really his, for both
Orsino and
Olivia are attracted to people who look like Cesario/Viola and Sebastian. The action ....
(1118
4
)
Theme of Appearance vs Reality
.... master,
Orsino, whom she secretly loves, and she undertakes this task with a certain boldness that is intended to undermine the fortunes of
Orsino with
Olivia. ....
(2171
9
)
Analysis of a Scene from Twelth Night
.... Viola, disguised as a man, and specifically as Cesario, Count
Orsino's servant, enters
Olivia's garden with the drum-playing clown attached to
Olivia. ....
(1462
6
)
A Midsummer Night's Dream
.... The matter is complicated further by Viola's love for
Orsino, with
Olivia a rival for her affection in that sphere as well.
Orsino ....
(1590
6
)
Analysis of Voila's Speech in Twelfth Night
....
Olivia. Viola had posed as a male servant to
Orsino, the Duke of Illyria, and went to express the Duke's love to
Olivia. However ....
(1425
6
)
ALIENATION AND RESTORATION IN SHAKESPEARE
.... Viola is restored to herself and is then restored to society.
Orsino is now able to love her, and
Olivia falls in love with Viola's twin brother. ....
(4908
20
)
Theatre and Drama
.... As Cesario she points
Orsino's own folly in sending a surrogate to woo
Olivia: "We men may say more, swear more: but indeed / Our shows are more than will; for ....
(3224
13
)
Northanger Abbey & Emma (Jane Austen)
.... ignores the full passage from Twelfth Night, in which Viola's real point is to suggest that
Orsino's insistence on posturing about love for
Olivia is more ....
(2503
10
)
