ANALYSIS OF MOZART SYMPHONY K-550 .... 66-67 leads to a codetta or closing section in b-flat major, which reintroduces the primary motive of the first theme in an imitative, contrapuntal texture (ms .... (1945 8 )
Muscial Instruments and the Middle Ages .... the Middle Ages when "every instrument stood out from its neighbour [as] individual, contrapuntal parts were valued more than unity of texture." Throughout the .... (2849 11 )
BEETHOVEN'S PIANO CONCERTO #1 .... 126, and the combination is imitated between the hands until a new texture is heard .... its motion at measure 204 and drives to a quasi-contrapuntal transition at .... (2389 10 )
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