The story of Electra 
.... Issues under consideration are the mythographic content, emotional makeup, heroism and morality/ethics of the
Electra plays. While ....
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Character of Electra in Sophocles & Euripides
.... emerges, and then to discuss, with reference to the myth, the divergent ways in which Sophocles and Euripides treat the character in their
Electra plays. ....
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Mourning Becomes Electra
.... This stands in direct contrast with gender roles in Aeschylus' time. O'Neill, E. Mourning Becomes
Electra. In Three
Plays. New York, NY: Vintage, 1958.
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Mourning Becomes Electra (Eugene O'Neill)
.... This stands in direct contrast with gender roles in Aeschylus' time. O'Neill, E. Mourning Becomes
Electra. In Three
Plays. New York, NY: Vintage, 1958.
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The Oresteia by Aeschylus
.... In the first two
plays, Agamemnon and The Libation Bearers, the legal .... Clytaemnestra and
Electra have very different natures, though both women are devoted to ....
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Electra and Medea
.... Both
plays are very similar in that the female characters of Medea and
Electra are driven to murder or orchestrating murder because of the combined impact of ....
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Electra and Medea
.... Both
plays are very similar in that the female characters of Medea and
Electra are driven to murder or orchestrating murder because of the combined impact of ....
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"Oresteia" and Clytaemnestra and Electra
....
Electra is non-sexual in her behavior--though she has been married off by her mother .... here takes on the sexuality of the dutiful wife, a role she
plays in public ....
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Clytaemnestra, Electra and Penelope
....
Electra is non-sexual in her behavior--though she has been married off by her mother .... here takes on the sexuality of the dutiful wife, a role she
plays in public ....
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Two Greek Myths
.... In a very real sense, the idea of "
Electra" is as much the subconscious .... with good by this day's enterprise."3 2 Sophocles, The Complete
Plays of Sophocles ....
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Eugene O'Neil Late Plays Existentialism
.... earlier in the later
plays, O'Neill is concerned with a modern psychological assessment of fate. He did so earlier with Mourning Becomes
Electra and Desire ....
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Gender Issues in Aeschylus' Oresteia Trilogy
.... Libation Bearers, Clytemnestra's exiled son Orestes conspires with his sister
Electra to kill .... Examples from the
plays make a compelling case for the fact that ....
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PROMETHEUS BOUND AND PHILOCTETES
.... Great Britain: Aristotle. Nicomachean Ethics. Chicago: U of Chicago P, Sophocles.
Electra and Other
Plays. Great Britain: Penguin,
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The God Dionysus & Greek Theatre
.... Seneca's
plays were based on Greek myths but tended to emphasize supernatural .... should have inherited Antigone, Oedipus Tyrannus, Oedipus Rex,
Electra, Ajax, The ....
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Moral Codes in Literature
.... century, as Camus noted in the preface to a collection of
plays, and was given .... is his confrontation with the strange hopes of his sister
Electra who, although ....
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Moral Codes of Fictional Characters
.... century, as Camus noted in the preface to a collection of
plays, and was given .... is his confrontation with the strange hopes of his sister
Electra who, although ....
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Playwrights Christopher Marlowe & Moliere
.... monologues to express the characters' inner thoughts; in Morning Becomes
Electra he gained .... 1922) and to a lesser extent for almost all the
plays; those of ....
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Aeschylus' Orestia Trilogy
.... Cassandra's murder, and the theatrical crescendo of Orestes and
Electra's matricide of .... Throughout these three
plays, Aeschylus' evocation of blood is used with ....
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Justice in the Oresteia Aeschylus was a
.... This gripping series of three
plays tells of the endless cycles of violence unleashed .... absence of some years he returns and finds his sister
Electra praying to ....
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Justice in the "Oresteia" Aeschylus was a
.... This gripping series of three
plays tells of the endless cycles of violence unleashed .... absence of some years he returns and finds his sister
Electra praying to ....
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Revenge Theme of The Oresteia Trilogy
....
Electra prays for violent and unpitying revenge for the death of her father. .... In these
plays, the need for revenge began when Atreus murdered Thyestes' children ....
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Cycle of Doom in The Oresteia
....
Electra prays for violent and unpitying revenge for the death of her father. .... In these
plays, the need for revenge began when Atreus murdered Thyestes' children ....
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Benito Perez Galdos
.... in some ways worked against this: 31 novels, 46 Episodias Nacionales, 23
plays, and the .... more than twenty dramas, with La Loca de La Casa and
Electra being the ....
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