Relation Between Hemingway's Life & Fiction 
.... Oxford: Basil Blackwell, 1989. Weber, Ronald. Hemingway's Art of Non-
Fiction. New
York: St. Martin's, 1990. Oxford: Basil New
York: St. Martin's, 1990.
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Comparison of Hemingway's Fiction With His Life There are numerous ...
.... Reynolds, Michael. Hemingway: The Paris Years. Oxford: Basil Blackwell, 1989. Weber, Ronald. Hemingway's Art of Non-
Fiction. New
York: St. Martin's, 1990.
(2352
9
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The History of Science Fiction
.... Gap in the Digital Divide." New
York Times 5 March 2000: 4. Scholes, Robert, and Rabkin, Eric S. Science
Fiction, History, Science, Vision. New
York: Oxford UP ....
(1925
8
)
Russian Society and the Fiction of Tolstoy
.... New
York: Penguin, 1984. ---. The Death of Ivan Ilych. The Norton Anthology of Short
Fiction. Ed. RV Cassill. New
York: WW Norton, 1995. 1493-1538. ---. ....
(1762
7
)
Science Fiction and Frankenstein
.... science
fiction tells us, except for the desire to believe that it is possible to escape our fate and begin again. Huxley, Aldous. Brave New World. New
York: ....
(1427
6
)
Modernist European Literary Fiction
.... can one defensibly treat such post Freudian and post Bergsonian
fiction as The .... Eithne Wilkins & Ernst Kaiser (1953; New
York: Perigree Putnam, 1980) 4 Martin ....
(4591
18
)
The Vampire in Fiction
The vampire is a creature in folklore and
fiction who has had a long life and .... 2 with a Silver Bullet." The New
York Times Book Review (October 27, 1985), 15. ....
(1938
8
)
Joseph Conrad's Fiction
.... Group Portrait. Conrad, Crane, Ford, James, Wells. New
York: William Morrow, 1982. Dobrinsky, Joseph. The Artist in Conrad's
Fiction. A Psychocritical Study. ....
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20
)
Fact or Fiction: Hemingway's As A Moveable Feast
.... New
York: Harper & Row, 1965. .... 2. "Fact and
Fiction in A Moveable Feast." Hemingway Review, Spring 1984, 3: Wimsatt, William K. and Brooks, Cleanth. ....
(2232
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Existentialism in Fiction
.... Most if not all of these themes are illustrated in works of
fiction by Ernest Hemingway (A Clean Well-Lighted Place), Jean Paul Sartre .... New
York: Prentice-Hall. ....
(2708
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Minimalism in Contemporary Short Fiction
.... New . "The Literature of Replenishment: Postmodernist
Fiction." Barthelme, Donald. "The Party." Sadness. New
York: Farrar, Beattie, Ann. ....
(7031
28
)
Pride in 2 Works of Fiction
.... Pride is often a critical element in
fiction, with characters committing the sin of pride and with pride being one of the social sins criticized by .... New
York: St ....
(1575
6
)
Public space in Fiction
Public space in
fiction serves as a means of identifying aspects of the characters of the people who inhabit those spaces. .... New
York: Meridian, 1960. ....
(1640
7
)
Non-Realistic Fiction
.... Novel." Modern
Fiction Studies, 32 (Autumn 1986):397-416. Garcia Marquez, Gabriel. Love in the Time of Cholera. Translated by Edith Grossman. New
York: Alfred A ....
(2247
9
)
Utopian fiction and Utopian Programs
.... century American life generate the dream of an alternative society which, unlike the new worlds of science
fiction, exists in a .... New
York: WW Norton, 1975. ....
(3491
14
)
Works of Utopian Fiction
.... In The Dispossessed (New
York: Harper, 1974), science
fiction writer Ursula K. LeGuin attempts to surmount this conundrum by acknowledging that her ideal ....
(2718
11
)
Freud's Influence on Fiction
Sigmund Freud's influence on twentieth century
fiction was enormous and it took many forms. .... 1932. Corrected ed. New
York: Vintage-Random House, 1985. ....
(1274
5
)
Rebellious Youthful Characters in British Fiction
.... The title story of the collection is considered a masterpiece of short
fiction and tells the story of a race in a boys .... New
York: The Modern Library, 1968. ....
(2723
11
)
Female Asian-Americans and Fiction
This paper is a consideration of issues raised in two works of
fiction by female Asian American writers. .... Paul Lauter. New
York: Houghton Mifflin, 2000. ....
(2667
11
)
American crime fiction
.... American crime
fiction has a strong tone of wounded morality, and the voice of the private detective is one of the primary means .... New
York: Modern Library, 1995 ....
(2795
11
)
Young Adult Fiction Writer Natalie Babbitt
.... biographical novels of childhood, but the tone of the work is darker than is usual for young adult
fiction and becomes .... New
York: Farrar, Straus & Giroux, 1971. ....
(2304
9
)
Narrative Techniques of Postmodernist Fiction
.... New
York: Frederick Ungar, 1978. Strout, Cushing. "Historicizing
Fiction and Fictionalizing History: The Case of EL Doctorow." Prospects: An Annual Journal of ....
(7464
30
)
Ambrose Bierce's Life & Fiction
.... Bierce in some ways fought the war over and over again through his
fiction, expressing the anger he felt .... Garden City, New
York: Doubleday, Doran & Company, 1929 ....
(1577
6
)
Literary Annotated Bibliography
.... Albuquerque: U of New Mexico P, 1996. Hanson, Elizabeth I. Forever There: Race and Gender in Contemporary Native American
Fiction. New
York: Peter Lang, 1989. ....
(1474
6
)
Annotated Bib of Native American Sources
.... Albuquerque: U of New Mexico P, 1996. Hanson, Elizabeth I. Forever There: Race and Gender in Contemporary Native American
Fiction. New
York: Peter Lang, 1989. ....
(1474
6
)
Four Fiction Into Film
.... set designs and mise-en scene that recall the scenes of French
fiction as portrayed by Wharton help to underscore the seamier side of New
York society that ....
(6209
25
)
Aspects of Works of Fiction
.... truths about love and life, as the poets see those truths. Kennedy, XJ
Fiction, Poetry, and Drama. New
York: HarperCollins, 1991.
(2282
9
)
Fantasy and Science Fiction
.... Bolotin, S. (June 9, 1985). Don't Turn Your Back on This Book. The New
York Times Books. .... The Prentice Hall Anthology of Science
Fiction and Fantasy. ....
(2751
11
)
Mary Shelley's Frankenstein
.... work. Asimov, Isaac. "The Scientist as Villain." Asimov on Science
Fiction. New
York: Granada, 1983. 65-68. Brooks, Peter. "Godlike ....
(1830
7
)
Virginia Woolf & Plight of Women in Literature
.... Woolf states that a woman will not be able to write
fiction unless she has money and a room of her own (Woolf, A Room of One's Own .... New
York: Chelsea House, 1986 ....
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