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Nietzschean Philosophy

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The critic of the debate between Muslims and Western liberals over the condemnation of Salman Rushdie suggests that those who cite freedom of speech as the first freedom are only expressing a personal view. The writer further suggests that the only way for an argument between two parties to be valid is when it is based on an appeal to considerations that are internal to the values and beliefs of the other party. He thus offers his own arguments which appeal to the aspirations of moderate Muslims. This view not only holds that there are no absolutes but that biases and cherished views are in fact culturally determined and that the only way to argue with a person of a different culture is by appeal to the cherished beliefs of that other culture. Thus, to argue with a Muslim, it is necessary to do so in terms of the other person's belief system. This seems a straightforward and sensible statement if it is taken as an admonition as to how to win an argument, meaning that the other person will not listen to you if you do not argue using his own terms and beliefs. It is less clear that this is necessary to make any criticism valid or a genuine argument, for it seems to give equal validity to all belief systems at some level so that one belief system cannot challenge as invalid the deeply held views of another. A consideration of the issue in terms of Nietzschean philosophy shows how difficult it is either to insist on one answer or to insist on the validity of all belief sys

. . .
and culture in The Birth of Tragedy and modified in later works as he rethought his position and changed some of his views. Nietzsche makes a comparison between historical knowledge about past cultures and culture itself. He sees true culture as a unity of the forces of life with the love of form and beauty. Nietzsche considers life as terrible and tragic, but he also views it as transmuted through art, the work of creative genius. Nietzsche discovers the proper role of art in his study of the Greeks, who also knew that life was tragic and terrible but who never gave in to the pessimism that this might entail. Instead, they transmuted life through art. They did this through two different aesthetics, one Dionysian and the other Apollonian. Modern culture did not affirm life and had given in to the pessimism that Nietzsche wished to avoid. Part of the sterility of modern culture was its dedication to historical learning as a substitute for a living culture. This shows the tendency on Nietzsche's part to consider various forms of expression, including the desire to know and to control, as a manifestation of the fundamental nature of the living being. Artistic expression is one form of the Will to Power, and as noted, Nie
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Approximate Word count = 1387
Approximate Pages = 6 (250 words per page)

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