Literary Movements

 
 
 
 
Critics refer often to literary movements, citing different movements that have developed in literature and then been replaced by some other movement. Generally, the term is not defined, and instead it is simply assumed that everyone is talking about the same thing when the term is used. J.A. Cuddon offers a definition that is too simple to be more than a beginning: "A term commonly applied to a trend or development in literature" (Cuddon 558). Cuddon's definition contains the necessary elements, but they are not fully explained. The important word in his definition is "trend" rather than "development," for the latter is too unspecific and could refer to a literary device or idea used by one writer. A literary movement must be a trend, meaning that it is subscribed to by a number of writers who make use of the ideas and techniques that define a given movement. To be a movement, it must also be differentiated from other movements and not be merely a variation on an existing theme or a core group following an old trend. A literary movement has to be identified, meaning someone has to notice that there is a trend and that there is a group of writers who are making use of it in their work. A movement may declare itself--some movements have been created and expressed through manifestoes and overt statements of principle. Other movements may come about because there is something "in the air," as it were, so that a number of writers begin making use of a given technique, s


     
 
 
 
    

 

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surrealism was a revolution against all kinds of formal literary expression, an attempt to turn away from all previous literary movements and to achieve a new freedom without formal rules. This is what the writers of the time believed artists were achieving, and they applied this idea consciously to their work in order to produce a surrealist literature. They were only partially successful, and many of those who were most dedicated to this movement were not the most gifted writers of the time: One cannot take André Breton, the chief surrealist, at times a veritable Stalin with his purges, wholly seriously as a creative writer; his confusions require to be studied; he is a symptom of twentieth-century unease. . . For the truly gifted writers, on the other hand, surrealism provided a new beginning, a break with conventions; they went on to new pastures (Seymour-Smith 467). A movement does not have to produce great literature to be a movement. A movement is defined by its underlying concepts and its adherents, not by its success or failure. Some movements concentrate primarily on one form of expression, such as the Imagists in poetry. The Imagists were a group of poets prominent immediately prior to the First World War, an

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