GREAT BRITAIN ART SCENE
The art scene in Great Britain turn
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The art scene in Great Britain turned more international after World War II, while at the same time the British art scene had a particular relationship with American movements more than with any European movements. Among the important British artists to emerge in this period were Moore, Hepworth, Nicholson, Bacon, Hockney, and Caro. There were also more exhibitions of younger British artists, and work of these artists showed a more international character than had been true before the war. In the early 1950s, a group of social realist painters emerged under the name the Kitchen Sink School, and they acquired this name by selecting drab and sordid subject matter. The chief exponents of this type of painting were John Bratby and Jack Smith, Edward Middleditch, and Derrick Greaves. These artists showed in their selection of subject matter and their violently aggressive technique a new expression of the post-war mood of the "angry young men" of the nation. This mood did not last beyond the mid-fifties, for then the movement known as Pop Art developed out of seminars held at the I.C.A. by the Independence Group under the leadership of critic Laurence Alloway and architectural writer Reyner Banham. Pop art arrived in the 1961 exhibition "The Young Contemporaries" with works by Eduardo Paolozzi, Richard Hamilton, Joe Tilson, and Peter Blake. They would be followed by Kitai, Hockney, Boshier, Richard Smith, and Allen Jones (Osborne 82-83).
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Some common words found in the essay are:
Michael Leonard, Gauguin CTzanne, Pop Art, Frost Wilson, British Constructivists, David Hockney, Anthony Caro, Derrick Greaves, Hockney Caro, Anthony Hill, british artists, pop art, kenneth armitage, british painting, chief exponents, lynn chadwick, modern art, british art, abstract art, hepworth nicholson,
Approximate Word count = 1091
Approximate Pages = 4 (250 words per page)
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