Art Nouveau
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The Art Nouveau movement occurred during the last two decades of the 19th century and the first decade of the 20th century. The movement influenced various disciplines, from architecture and interior design to jewelry and book illustration. The movement began in Europe and was given its name by a Parisian art dealer who opened a shop called “L’Art Nouveau, or ‘new art’” (Sherman 1). The movement formed in reaction to the historical tradition of art, and, in part as a rebellion against the dehumanizing aspects of industrialism. Instead, the movement’s art focused on curved lines also known as whiplash lines and used more naturalistic themes in its composition, “Artists revolted against industrialization and returned to nature of inspiration. ‘New Art’ was primarily a type of decoration based on linear patterns of sinuous curves that often suggested water lines” (Art Nouveau 1). Where its motifs are concerned, Art Nouveau was a mixture of different influences, from Japanese prints and Gothic architecture to often fantastical elements based on the paintings and drawings of poet artist William Blake. The style was extremely decorative and the movement was catalyzed by the Arts & Crafts movement in England that had been founded in 1861, by the designer William Morris (Encarta 1). The Arts & Crafts movement despised the poorly mass produced techniques that had arisen with industrialism. As such, the movement even had its own manifesto w
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nt of twining plant tendrils. Its exponents chose themes fraught with symbolism, frequently of an erotic nature. They imbued their designs with dreamlike and exotic forms” (Columbia 1).
The architect who helped promote the Art Nouveau movement to the greatest degree was the Scottish Architect Charles Mackintosh. His designs were of major influence to art and architectural developments across the continent. The movement was also very popular in France where Paul Gauguin and his contemporaries were instrumental in originating the movement there. The posters and lithographs crated by Henri de Toulouse-Lautrec were among some of the most significant Nouveau works produced. He also helped to develop Art Nouveau arabesque, which appeared to make the lines used have a spirited and lively flow. In Spain, the architect Antonio Gaudi developed the style and his Sagrada Familia (Church of the Holy Family) in Barcelona remains one of Spain’s most unique buildings. The movement was also furthered by the spread of information in various publications that were illustrated and outlines the aesthetics of Art Nouveau, “”The Century Guild Hobby Horse’(1894), ‘Th Dial’ (1889), ‘The Studio’ (1893), ‘The Yellow Book’ (1894-95), and ‘The Savoy
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Approximate Word count = 1525
Approximate Pages = 6 (250 words per page)
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