Binding Passions
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We discover in the introduction to Guido Ruggiero’s Binding Passions that this work is a study of popular culture as exhibited in the magical rituals, practices, and customs of prostitutes, healers, renegade friars, and everyday folks. This magic is generally devoted to love and passion, for it is binding passion that provided a meaning and clarity for this social groups magic rituals, practices, and customs. Binding passion could mean a variety of things, from passions that unite to binding passion itself. The power of love among humans invited magic practices, rituals, and customs that in this work are mainly devoted to love and marriage. Yet it is these practices based on passions that bind that formed meaning and purpose for this culture and era. As Ruggiero maintains, “Culture, of course, was intimately interrelated to this system of binding, providing in a way its ideology and, perhaps more important, revealing the deep ties between such binding solidarities and the very order of things” (15).The author contends that such practices that gave order also provided a poetry unique to this microcosm of culture and magical practices based on passion. However, he makes the case in his introduction that this poetry was placed in jeopardy by religious authorities of the late Renaissance. Popular culture was slowly replaced by a learned culture. Events like the Inquisition and policies of the Roman Church during the late Renai
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ble behavior with respect to his daughter and his intentions regarding her. However, he is most disturbed and alienated by Battista’s use of the Church to further erode his daughter’s case, “And surpassing all iniquities...he has gone to the reverend vicar of our most reverend Bishop and secured a formal admonition against my daughter that she must desist from claiming this marriage” (63).
Chapter Three
This tale truly shows the sordid goings on of both personages and low and high rank in Venetian society. Again our theme is love magic and witchcraft and once more we are treated to a heroine, Paolina di Rossi, who is a Venetian courtesan. However, her intended, her binding passion, is shared with a cleric named Don Felice. The common themes of the first two stories are present but muted in this tale which focuses more on love magic and how it is primarily the domain of women and is perpetuated through female networks. Ruggiero chooses this tale for his collection because the information revealed in it illustrate the shift that was taking place in the Late Renaissance with respect to love, magic, and binding passions.
The title of this chapter is That Old Black Magic Called Love and it does not disappoint. For in this chap
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Some common words found in the essay are:
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Approximate Word count = 2452
Approximate Pages = 10 (250 words per page)
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