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Performance Art & Painting

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When we discuss performance art in comparison to painting, we must first define what performance art is exactly. Some individuals argue that the nature of performance art is such that it defies definition. Others try to define it, like performance art teacher Jack Bowman (1) “The Act is TRUTH. Nothing that was ever recorded is truth. Nothing that was ever said is truth. Only the ACT”. Performance art typically involves a higher level of immediacy between the artist and his or her audience.

Nevertheless, some people define performance art by comparing it to other art forms such as sculpture or painting “Performance art draws freely upon the disciplines of painting, sculpture, theater, dance, music, and sound for its materials and imagery, while freeing the artist from the traditions of those art forms” (Performance 1). Performance art involves everything from the tattoo model who stands like a sculpture at public events to the very popular performance art trio, Blue Man Group, whose members are painted entirely blue.

Despite the unique nature of performance art compared to other disciplines, it does borrow from many other forms of art like painting, sculpture, and photography. This analysis will explore performance art, focusing on different examples of it in contemporary and historical times while also comparing it to painting. A conclusion will address the attributes or essences of performance art which do,

. . .
works and subtly blur their images in order to mimic the way the eye perceives light and forms. It can also be true in terms of performance art. For example, many performance artists who dance often choose to move their bodies to their internal mood, emotions, or perceptions of the music they dance to during their performance. However, painting and performance are also share another similarity. They often take cultivation and connoisseurship to appreciate, and even then can remain abstract to the most knowledgeable connoisseur in the group as with the paintings of Dali or Picasso. Performance art, too, can be abstract and difficult to interpret. Many postmodernist oppose performance art because they view it as something that cannot be appreciated by common people and therefore goes against the grain of diversity that is being foisted upon American sensibilities in the age of politically correct behavior. In actuality, political correctness is driven by economics, not humanitarian sensibilities. Therefore, postmodern critics miss the mark entirely when they think that holding one work of art above another or making distinctions among audience members somehow diminishes others. As one supporter of performance art notes
. . .

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Approximate Word count = 2766
Approximate Pages = 11 (250 words per page)

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