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The Poetry of Robert Frost |
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Of the poetry of Robert Frost it has been pointed out, ". . . if the majority of Frost's admirers . . . seem . . . content to share the poet's delight in cherishing the humble beauties of nature recorded by him with such precision . . . those readers have been willing to settle for too little, when so many other and deeper levels of meaning are available in his poems (Thompson 40-41). Of the many poems this assertion could be made, "Stopping by Woods on a Snowy Evening" provides one of the more interesting and revealing examples. Consideration of the process of Frost's creativity in the writing of this poem must take these two major factors into account: the simple pastoral scene used as the poem's "setting" and the idea or thought of the poem itself. In "Stopping by Woods on a Snowy Evening" the poet-as-narrator draws the reader into the world of his experience on two levels, and it is the conjunction and relationship between these two levels that the meaning of the poem derives. He begins the poem and continues for the majority of its length describing a particular wintry scene he once encountered. And by means of the way he describes the scene and the approach he utilizes in talking about it, he adds detail upon detail not solely to the physical description, but to the revelation of what is going on in the mind of the poet as well. In the introductory lines of the poem, although there is no direct, verbal indication of it made, the sense communicated is that the "spea
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n the first four lines of the poem there is a suggestion that the woods not only "belong" to some absent "owner," but that the owner is not so much a physical as a metaphysical being. In the first line, "Whose woods these are I think I know, "there is more an apprehension of a power beyond men than some human individual owning the woods but living in the village. "His house is in the village though," further contributes to this through the allusion to the New England House of Worship, the church. Thus, the first lines of the poem begin by creating a mystical, almost metaphysical feeling in the reader through the combination of the beauty and majesty of
the natural scene, and the suggestion that some higher power may be at work in its "ownership" and creation.
From this rather abstract concept, in the next stanza the poet changes his focus to the more concrete: "My little horse." In a sense, however, this change of focus further contributes to the totality of the feeling and thought of the poem. In the first stanza the man found himself confronted with the effects of forces at work to influence his life and environment which were beyond his full understanding. In the second stanza a similar situation is presented: the horse, sud
Category: Literature - T
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Snowy Evening, House Worship, Robert Frost, American Arcadia, Minnesota Press, robert frost, woods snowy evening, stopping woods snowy, Stopping Woods, woods snowy, Woods Snowy, stopping woods, snowy evening, Michigan Press, mind poet, third stanza, lines poem, natural scene, University Press, York Rinehart, robert frost minneapolis, writing poem, natural setting, lawrence robert frost, thompson lawrence robert,
= 1933
= 8 (250 words per page)
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