David Lean
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David Lean was born in 1908 in Croydon, England of strict Quaker parents who considered attending films to be a sin. He was considered below average as a student, and his major interest was in going to the movies secretly or indulging in photography, one of his major loves. When he was still in his teens, he joined his father's accounting office as a junior clerk. When he was nineteen, he withdrew from the family firm and allowed his interest in photography and film to guide him. With the encouragement of his aunt, he went to Gainsborough Studios and took some menial and low-paying jobs to get his chance. There was an absence of unions in those days, and this enabled him to switch jobs continually depending on the needs of the different sets. He worked as a clapper boy, camera assistant, and then third assistant director. After he worked with director Anthony Asquith, he decided that his ultimate goal was to be a director. He decided that the real essence of the film lay in editing, and so he applied for and obtained work in the editing room. He started with the most insignificant tasks and worked his way up. For a time, he was the leading news editor for Gaumont-British and the British Movietone News, adn this gave him valuable experience. He was able in this work to experiment with the juxtaposition of sound and image and thus learned and developed some of his ideas that he would later implement in his own films.
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working in a factory and meeting her imposing uncle for the first time, to the stern and changed revolutionary who has moved from radical outsider to committed ideologue (Tom Courtenay plays the part). The Bridge on the River Kwai uses character contrasts to good effect, from the well-established persona of the American, William Holden, the cynic who wants the world to believe that he only thinks of himself, to the rigid Japanese commander, Sessue Hayakawa, who has a softer and more cultured side that has had to be put on hold for the duration, to the increasingly rigid and single-minded British commander, Alec Guinness. The lovers of Brief Encounter are more real and less conventional than would be found in the traditional Hollywood film, and this is what give the film some of its power for the audience.
Visual Expressions of Mood: Lean shows the great ability to present mood through his use of setting, lighting, and links between action and place that shows how the characters feel and how the audience should feel. Setting in Brief Encounter has opened the actin of the original play from one room to a variety of places, stretching the action over a year and detailing the course of this love story in the places where it occu
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Approximate Word count = 2676
Approximate Pages = 11 (250 words per page)
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