LotsOfEssays.com

ear.

But, more significantly, Smith also illustrates his arguments with one of the Japanese prints, by Buncho, that he feels demonstrates Wright's debt to the prints. In the print an actor, or perhaps a geisha, stands before the corner of a house. The planes and lines of the house fill three quarters of the space and are barely hidden at all by the human figure. The tension between the complex geometrical pattern of the house and the flowing lines of the figure's robes is the focal point of the composition. For W

...