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Prophets and Revelations

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The scene depicted on the tympanum of the church at Moissac is a version of the Apocalyptic vision recounted by John in the Book of Revelation. The principle subjects in the remaining sculpture in the south porch are the childhood of Christ, the story of Lazarus and Dives and the punishments of Avarice and Female Unchastity. The unifying concept of the iconographic scheme in this portion of the church can be found in the words that Christ spoke to John in the vision; "Behold, I make all things new." The new Jerusalem, the church established by Christ's suffering and death, is built on the foundations of the old Jerusalem. God remains adamant in his wrath against sinners but Christ offers a true chance of salvation.

The Apocalyptic vision, like the Last Judgment (a frequent subject on Romanesque tympanums), spoke of the wrath of God at the end of time. With either subject the audience would be adequately reminded of the horrors to come if they did not repent their sins and seek salvation in Christ. But the choice of the Apocalyptic subject rather than the Last Judgment also indicates a willingness to conform to the requirements that Revelation placed on the iconographic program. Depictions of the Last Judgment were subject to many restrictions but that subject was far more open to interpretation than the depiction of the Apocalypse which was described in such intensive detail by John. Thus when the Apocalypse is the chosen subject it must be viewed in terms of th

. . .
epicts the figures in descending order: Christ, the angels, the beasts, the elders. The placement of the attributes of the new order on the viewer's right and of the old order on the left is a common iconographic mode. But the arrangement changes when the figure of God is depicted. Thus in the Moissac sculpture the four beasts are arranged in order of importance, top rank above lower rank and right hand of Christ as opposed to his left hand. Therefore the beasts are arranged with the man and eagle on the upper right and left of Christ respectively and the lion and ox on his lower right and left. Another important difference is that the scroll with the seven seals is held in Christ's left hand and his right hand is raised in a gesture of blessing. The centrality of Christ goes without saying but the sculptor at Moissac made special efforts to emphasize this. The elders, ranged in their rows divided by wavy lines that might be interpreted as a reference to the sea of glass, turn their heads toward Christ. The inner figures, of course, do so as well, but in the beautiful representations of the lion and, especially, the ox the sculptor created a vision of what looks like an almost magnetic, compelling force that directs the
. . .

Some common words found in the essay are:
Lazarus Dives, Lamb God, Christ Lamb, John Baptist, Seraphim Isaiah's, Christ John's, Lion Judah, Judaism John, John Apocalypse, Israel Jeremiah, story lazarus, story lazarus dives, lazarus dives, apocalyptic vision, god's wrath, john's vision, seven seals, living creature, persons god, figure throne, wrath god, lazarus dives left, seven seals held, golden bowls incense, harps golden bowls,
Approximate Word count = 4560
Approximate Pages = 18 (250 words per page)

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