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Tennyson's Poem, The Splendor Falls on Castle Walls |
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This study will critique Alfred, Lord Tennyson's poem "The Splendor Falls on Castle Walls," also known as "Bugle Song," focusing on the lyrics, music, and rhyme, and the ways these elements suggest and support the meaning of the poem. The argument of the study will be that Tennyson's use of these literary devices successfully conveys the conclusion that there is both a dying and an eternal life at work in both nature and in the life of human beings. Tennyson effectively creates a realm in which the poem unites with the speaker's emotions and thoughts and produces a consciousness of the transcendent qualities of humanity in time and nature. The presence of the bugle, in fact, the central role of that instrument in the poem, suggests that, indeed, the poem is to be heard as a lyrical work, a song, without, of course, accompanying music in the literal sense. A "song," says J.A. Cuddon, is the designation used to denote such a poem and "distinguish it from narrative or dramatic verse of any kind" (Cuddon 372). In other words, Tennyson's poem can be called a song in that it does not tell a story or present dramatic events. Instead, it creates images and a mood which flows those images through the use of words, rhyme and music in the poetic sense. The poem merely presents a portrait of a natural setting which is punctuated by the sounds of a bugle (representing the presence of humanity, its longings and its losses) which are in turn reflected back from nature in echoes which reve
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Tennyson wanted the poem to give to the reader an irrational, or at least non-rational, intuitive sense of life and death, rather than a rational philosophical or religious system of thought.
The poem certainly has its religious elements, or at least words which suggest transcendence--"splendor," "glory," "soul to soul." The poem, then, is not pessimistic, although its three stanzas each end with the words "dying, dying, dying." The speaker accepts death as the end of human life in the natural world, but confidently suggests that after death the essence of life and love remain and pass from soul to soul. The comparison between "castle walls" and "snowy summits old in story" suggests a connection between the world of humanity and the world on nature, both recipients of the "splendor" of falling light which might symbolize the beneficence of God. The "castle walls" also might represent human enterprise, especially in terms of human effort to stave off threats to its existence, especially death. "Elfland" suggests again a human-nature connection and a realm where creatures exist which are both human-like and yet fully a part of the natural world. However, whatever human beings do--build castles, blow bugles, love--in the end all is
Category: Literature - T
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Bugle Song, JA Cuddon, dying dying, dying dying dying, James Kissane, soul soul, human life, blow bugle, castle walls, answer echoes, Boston Twayne, Lord Tennyson's, Castle Walls, , York Penguin, echoes dying dying, bugle blow, echoes flying, wild echoes flying, echoes dying, nature life, set wild echoes, answer echoes dying, Splendor Falls, Alfred Lord,
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= 5 (250 words per page)
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