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The Death of James Dean

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Stories in the news are addressed in different ways by different newspapers, and the manner of presentation of a story may show the particular interests of the people served by the paper, the interests of the publisher, and the relative importance given to different stories by the editors. History may or may not agree with the weight given a particular story at the time of its occurrence. A case in point is the death in 1955 of actor James Dean, which was treated in a rather off-hand manner by many newspapers while within a few weeks it would be seen as a more shattering event to a certain generation, so much so that it continues to be talked about to this day. A comparison of the treatment given to the story by three newspapers--the New York Times, the Los Angeles Times, and the Houston Post--demonstrates how the story was seen at the time.

All three newspapers are dated October 1, 1955, the day after the accident that killed Dean. None of the three stories has a by-line. Two of them are wire stories with little more than the bare details of the accident and some reference to Dean's career. The story in the New York Times is from the Associated Press (AP), while the story in the Houston Post is from Universal Press International (UPI). Both are labeled as coming from Paso Robles, California, near where the accident took place. The story in the Los Angeles Times is written by the staff of the paper and is also the longest of the stories, perhaps a reflection of the i

. . .
majored in dramatics. His stage acting work in New York is also noted, along with awards he has received and some of the early television roles he had on programs like Studio One, You Are There, and Television Playhouse. Also noted in the Los Angeles story is the fact that Dean was a racing car enthusiast and that he was on his way to a race in Riverside at the time of the accident. This was also treated in a way that showed a closer proximity to the film industry as the writer of the article notes that during the filming of Giant, the studio had forbidden Dean from getting near racing or race cars. Director George Stevens echoes this fact while also indicating his own sense of loss. It was noted that while Dean had planned to go to Salinas for the races, he had originally not intended to drive but changed his mind at the last minute. The story in the New York Times is the only one that does not mention that Dean's mechanic was also in the car and was injured in the crash. The man is identified in the Houston Post as Rolph Wutherich, a name also mentioned in the Los Angeles Times. The Los Angeles paper is the only one to give the story a major presentation. The Houston paper does have the story on the front page, but
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Some common words found in the essay are:
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Approximate Word count = 1789
Approximate Pages = 7 (250 words per page)

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