Judith Mayne (1) took a slightly different approach to this topic by examining cinematic images from the lens of lesbian readings. Using a number of films this analyst's critical thrust is on how film, the product of corporate Hollywood -- has chosen to use sexuality as a way of creating gender relations or structuring social norms and mores on those relationships. Here, communication is employed to suggest that lesbians constitute a deviant "other" who are not fully participatory in American discourse.
Perhaps more significantly, Mayne (20) suggests t
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