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The Myth Structure of Heart of Darkness

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In Heart of Darkness Joseph Conrad depicted an image of one of humankind's most deep-rooted religious beliefs. "Heart of darkness" is an atavistic phrase, a primal, one that drives deeper into the spirit than simple thought can convey. Ostensibly about a steamboat trip into upriver colonial Africa, Heart of Darkness transcends that continent, touching instead upon something akin to what the Greeks in their Dionysian religion defined as "panic" - fear of Pan's domain, the deep forest where night amplifies natural sounds into soul-wrenching piques of terror, the dark heart whose murmurs pull one away from the "light" of organized religion's carefully-constructed beacon fire. In Heart of Darkness Joseph Conrad does not attempt to find words to describe those religious feelings; instead, he carries us along with him into his firsthand religious experience.

The structure of Heart of Darkness is myth-pure. It is a journey from the safety of the known into the unknown world of danger/death and back out again. The classic religous myth: Odin in the domain of the dead, Jesus Christ to Hell and back. This particular odyssey's protagonists are not godlike heroes, but a confused observer (Marlowe), a dying enigma (Kurtz) and a sideshow of iconlike characters and locales - a mythic assemblage. Certainly, if Orpheus' crossing the River Styx into Hades is of mythic proportions, so, too, is Marlowe's journey up the (Congo) River into the jungled center of equatorial Africa. The n

. . .
d us both. ... "He is dead," murmured the fellow, immensely impressed. "No doubt about it," said I ... "And by the way, I suppose Mr. Kurtz is dead as well by this time. For the moment that was the dominant thought. There was a sense of extreme disappointment, as though I had found out I had been striving after something altogether without a substance. (82-83) Conrad's account of Marlowe's religious experience now takes on the issue of Faith. "Striving after something altogether without a substance" - this is the believer's challenge. Death has now taken on an "impressive" face, however; the rescue attempt presses on. This is a religious crusade. If death cannot be defeated, it is now to be confronted differently, at the least. The helmsman's deathmask was "lustrous." There would be a long contemplation of Kurtz' final expressions. Before finding Kurtz, Marlowe and the pilgrims of the rescue party come upon another apparition: a babbling, manic-depressive white man attending to the feverish Kurtz, who looks like a harlequin ... patches all over, with bright patches, blue, red, and yellow, - patches on the back, patches on the front, patches on elbows, on knees; coloured binding round his jacket, scarlet edging
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Approximate Word count = 3271
Approximate Pages = 13 (250 words per page)

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