Mary Shelley's novel Frankenstein

In the nineteenth century, the prevailing artistic style for the first part of the century was romanticism, an art based on a form of "disorder," but a disorder seen as the emblem of the unfettered processes of the imagination. Fully developed Romanticism followed the cults of nature and of feeling which developed in the course of the eighteenth century and involved certain contradictions, embracing free thought on the one hand and religious mysticism on the other. Romanticism was the heir to the spirit of the French Revolution, a spirit of freedom and self-determination manifested artistically as freedom of expression. It contrasts sharply with the controlled and ordered world of classicism in the Renaissance period, but it bears a relation to the mode of thought that created humanism and an emphasis on individual thought. The Romantic spirit can be seen in much of the poetry of William Blake, poetry marked by mystic visions and a continuous connection to the infinite.

In his poem "Milton," Blake sets up a deliberate contrast between mind and spirit, between rationalism and emotionalism. He refers to the "Reasoning Power in Ma

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the smiles of the infant, and the lively sallies of the older child; how all the life and cares of the mother were wrapped up in the precious charge; how the mind of youth expanded and gained knowledge; of brother, sister, and all the various relationships which bind one human being to another in mutual bonds (Shelley 170). The monster, however, has been denied participation in the structure of the family and feels the loss deeply: "But where were my friends and relations? No father had watched my infant days, no mother had blessed me with smiles and caresses; or if they had, all my past life was now a blot, a blind vacancy in which I distinguished nothing" (Shelley 170). The monster wants a natural world all his own, a world of emotion rather than reason, and this is because he knows that this is the human way to live and that he can be human if he has a family: You must create a female for me, with whom I can live in the interchange of those sympathies necessary for my being. This you alone can do; and I demand it of you as a right which you must not refuse to concede (Shelley 207). At one time, Victor as well placed family and the natural order of things first. The importance of family to Victor is evident in the ope
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Approximate Word count = 1669
Approximate Pages = 7 (250 words per page)

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