The Cycladic Period of Art
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The Cycladic or pre-Greek era is represented at the Getty Museum by a number of works, such as the Greek island marble figurine "Harpist," from about 2500 B.C. This is a statuette of a musician holding his instrument before him. He is holding it in the configuration necessary for playing it, but he is not playing it and instead has his hands at rest, supporting the harp. The piece was sculpted from a single piece of stone with the simplest tools. Little is known about the culture of the Cycladic islands, and we do not understand the purpose of figures such as the harpist or the more common female figures produced by this culture. However, many of the surviving pieces have been found in graves. Most of the other Cycladic musicians that have been found are playing their instruments, which makes this statuette unusual. Some elements of the original piece are missing:Some elements such as the hair were originally added in paint, but in general, the modeling of anatomical details has been artfully reduced to a minimum. These statuettes from the pre-Greek era are products of a neolithic, or stone-age, culture. At this time, human beings had started to settle in one place, shifting from a nomadic to a sedentary way of life. The agricultural life created a new awareness of seasonal change and the powers of the earth, sun, and rain. The many female statuettes found in neolithic graves suggests that the religion of the people included the worship of fertility goddesse
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robably a version of "Exhumation of St. Hubert," perhaps the one today in the National Gallery in London. Indeed, "The Dream of Pope Sergius" is sometimes known as "The Consecration of St. Hubert." "The Dream of Pope Sergius" is 34.5 inches high and 31.5 inches wide. The painting has an odd perspective that gives a curiously archaic aspect to the work. It is achieved by two widely different horizon lines, one for the palace in the foreground and the second for the landscape. Because of this, critics have tended to assign a very early date to the picture. When it was believed that the work was by Rogier himself, in fact, it was considered a youthful work. In truth, it is impossible to say whether these archaic features should be attributed to youthful inexperience or the clumsiness of a somewhat provincial follower of the artist.
The principal subject of the painting is the Pope's dream. Both St. Hubert and Pope Sergius are pictured in the work, and the picture actually relates an incident more pertinent to the life of St. Hubert, here the subject of the Pope's dream. St. Hubert had decided to give up his earthly life when he sees a stag bearing a crucifix in its antlers. he therefore sought out St. Lambert, Bishop of M
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Approximate Word count = 1549
Approximate Pages = 6 (250 words per page)
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