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La Vida Es Sueno Pedro Calderon de la Barca y Henao

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Pedro Calderon de la Barca y Henao shows what is ephemeral in existence and, at the same time, demonstrates the divine and eternal aspects of human life in his play La Vida Es Sueno. The title of the baroque Spanish play is usually translated into English as Life is a Dream, but (like all translations) this is somewhat misleading. A more accurate rendition of Barca's intent might be a line known to children in English-speaking countries throughout time and across the world: "Life Is But a Dream." The line from the children's round of "Row, Row, Row Your Boat" and Barca's play reflect the same essential philosophy about the world, in which spiritual goodness and nobility are the only real things that one can know: Everything else that happens in life is of no true consequence and may be relied upon only as much as we give credence to the figures that visit us in our dreams.

This paper examines the central character of Life is a Dream, the captured and tormented prince Segismundo, as a way of analyzing both the particular way this character and this play connect with and affect the audience and more generally as a way of examining Barca's general intentions in what have come to be known as his secular plays. There are two over-riding themes in this play (which are shared by much of Barca's work), each of which is expressed in a single speech of Clotaldo's in the opening of the play. The old tutor states that "I still cannot decide/If these events are just

. . .
d only this single work of Barca's, one might imagine that this is the result of the playwright's attempt to portray the world of the play as simply all part of Segismundo's dreams. But, as De Armas (14) notes, this is a pervasive, indeed a nearly ubiquitous aspect of Barca's plays, and reflects Catholic ideas about the importance of personal responsibility and the isolation of the soul on earth. In many ways, the reader (or viewer) learns about Segismundo but the way in which his thoughts and actions contrast with those of other people in the play. Perhaps most importantly, the prince's realizations about the ephemerality of lived experience lie in direct contrast to Basilio's dabblings in astrology and are one of the more important ways that Barca signals to the audience that Segismundo is a trustworthy character, unlike his father and unlike almost everything else that one encounters in life. For Barca, the individual who surrenders himself, who recognizes the impossibility of controlling anything but one's own response to the world that God has divinely organized, is the only trustworthy person (Greer 12-20). Basilio is someone who goes where only angels should, trying to see into the future that is properly the business
. . .

Some common words found in the essay are:
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Approximate Word count = 2916
Approximate Pages = 12 (250 words per page)

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