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This paper compares and contrasts two animated fi

This is an excerpt from the paper...

This paper compares and contrasts two animated films. The first, Walt Disney Studios' Peter Pan, is one of a series of animated musicals created by the studio that defined the genre of feature-length cartoons. The film is typical of the mainstream, studio-produced animation that continues to be the benchmark for such productions. It stands in contrast to Rick Park's A Close Shave, a British-produced independent film done in the Claymation style. While the two share some structural similarities, they offer an intriguing example of the differences in sensibilities, aesthetic concerns, and marketing interests between mainstream and independent productions.

Released in 1953, Peter Pan was the ninth feature-length animation to come out of the Walt Disney Studios. It was based roughly on J. M. Barrie's play about a boy who refused to grow up and who lived in Never Never Land, constantly on the lookout for the crafty Captain Hook. Leonard Maltin notes that, at Disney, "a tremendous amount of thought went into every animated feature before any footage was shot" (74), and evidence suggests that preparation for the film had begun as early as 1935. He describes the resulting production: "This handsome, sure-footed retelling of the James Barrie fantasy, with its durable characters like Tinker Bell and Captain Hook, and consistently attractive production design, was one of the studio's most likeable films" (73).

Walt Disney was the pioneer of feature-length animated films.

. . .
lesser extents from all animation, and perhaps constitutes its cinematic reason for being" (12). One technique that continues to be popular has been labeled Claymation by one of its originators, Will Vinton. Aardman Animation, founded in 1972 by Peter Lord and David Sproxton, is a group of British animators working with plasticine figures. While Disney's technique uses hand-painted cels drawn on acetate sheets and layered within a frame in front of the camera to give a three-dimensional effect, plasticine and other kinds of figures allow the animator to create a completely three-dimensional world which the camera can move through. Animator Nick Park joined Aardman in 1985, adding his own look to the type of characters constructed under Lord and Sproxton. Although Aardman produced many short works for the BBC and has won awards (including Academy Awards for Park's Creature Comforts in 1991 and The Wrong Trousers in 1994), their efforts remain independent. They do not attempt to follow the kinds of marketing plans made popular by Disney; at 30 minutes, their longest works are too short for theatrical release, and they do not have a ready market even on TV, where animation is still considered to be primarily a children's ent
. . .

Some common words found in the essay are:
Peter Pan, Captain Hook, Cecile Starr, Close Shave, Milt Kahl, Giannalberto Bendazzi, Seven Dwarves, Walt Disney, Sproxton British, Pan Disney, peter pan, close shave, walt disney, captain hook, animated films, pan close shave, maltin writes, animated characters, animated film, pan close, aardman animation, walt disney studios, peter pan close,
Approximate Word count = 2330
Approximate Pages = 9 (250 words per page)

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