Modern Jazz

ôJohn ColtraneÆs life was based on a series of discoveries, most of them a result of both hard work and the deepest introspectionà(he) was no prodigy and not until he was well into his 20s did he comes to realize how truly extraordinary he wasàThe surface of his life offers little clues as to the brilliant fate toward which, at times haltingly, he strodeö (Nisenson 3).

Born September 23, 1926 in Hamlet, North Carolina, his family moved to High Point, North Carolina with his maternal grandfather when Coltrane was a few months old, and his musical roots are there. As a small child he was exposed to the music of the southern African-American church where both his grandfathers had been ministers. This exposure gave him a strong sense of both music and religion. His parents also loved music; his mother played piano and sang in the church choir, while his father, `n amateur musichan, played violin and ukulele. ColtraneÆs first instrument was a clarinet, which he received at the age

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g his drug habit, he moved back to New York in 1957 with his wife of two years, Juanita - also called by her Moslem name, Naima - and stepdaughter, and joined Thelonious Monk, playing the historic Five Spot gigs. It was during this time that Coltrane developed his famous ôsheets of soundö style, a term coined by Downbeat Magazine jazz critic Ira Gitler in a review of the 1958 Newport Jazz Festival. Gitler wrote, as Coltrane ôlearned harmonically from Davis and Monk, and developed his mechanical skills, a new more confident Coltrane emerged. He has used long lines and multinoted figures within these lines, but in 1958 he started playing sections that might be termed æsheets of soundÆö (Gitler, ôæTrane on the Trackö 16-17). The technique involves playing several chords instead of just one, a long series of rapid notes examining a chord or scale with little melodic or rhythmic development. Coltrane claimed to have been taught by Monk to play chords on the sax by using fake fingerings and adjusting his lips (Sax Appeal). Once Coltrane perfected this sweeping sound he achieved with the three-on-one chord approach of ôsheets of sound,ö he loved on to new dxpressions. He was perpetually evolving and developing new ideas, search for new m
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Approximate Pages = 10 (250 words per page)