Members
Login
Sign Up!!!
Categories
Arts
Business
Custom Research
Economics
Film
Foreign
Government and Law
History
Literature
Medical
Miscellaneous
People
Personal Essays
Philosophy
Psychology
Science and Technology

Support
FAQ
Customer Service
Site Search

     Home Customer Service Acceptable Use Policy Site Search

     Enter Search Topic:
 

Already a member? Go here to log in and view the entire paper!

Join Now!
by: Credit Card
Join Now!
by: Online Check
Membership Benefits

"Good Amerians," and Films

This is an excerpt from the paper...

Different individuals, groups, and institutions in various American films are defined and redefined over time, bringing into question the issue of what it means to be a "good, normal American." Some films confront this issue head-on, while others imply an answer in the way they depict either society as a whole or a fringe group or sub-culture in that society. An examination of several American films will show how this is accomplished and how the definition of an American shifts over time.

Public Enemy (1931) depicts the Prohibition era in American history, an era that in some ways tested what it meant to be a normal American. While a certain behavior--drinking alcohol--was proscribed by law, it was also an activity indulged in by or and ore Americans who seemed to enjoy the illicit nature of the activity. One of the consequences of Prohibition was the empowerment and enrichment of an organized criminal class that would continue in operation once Prohibition was ended by simply shifting to other criminal enterprises that would also be profitable. Tom Powers is part of this beginning of organized crime. He is an American with criminal tendencies--it is evident that though he comes from a tough neighborhood, his criminality is always within him. He becomes a criminal and a killer because he likes it and not because of dire economic need. The good, normal American is his brother, who puts himself through college and works toward the American dream on the right side of th

. . .
ptain works for the other family and thus facilitates attempts at murder. American society is represented in the film largely by Kay, who becomes part of this family structure when she marries Michael. She may be the only average, normal American featured in the film, for everyone else is a criminal, made so by membership in the family. The immigrant is represented not only by the Corleone family but by other immigrants with whom they come into contact. The immigrant experience produces good, normal Americans, but the American dream can warp the value systems of some and cause them to undermine the society from which they benefit so greatly. The importance of family is emphasized in the opening of the film, an extended wedding sequence as the daughter of the family is being married at a wedding attended by a vast number of relations and business associates who constitute a non-related extended family. The nature of the extended family for the Corleone's is seen in a number of ways. First, the family lives in a compound in which the different generations coexist, with each nuclear family group being part of the larger family in the compound. The compound is in this sense reminiscent of Italian village life such as Don Corle
. . .

Some common words found in the essay are:
Don Corleone, Tom Powers, Enemy Godfather, Animal House, Spike Lee's, Americans American, America Godfather, Public Enemy, , America Third, normal american, american society, animal house, normal americans, american films, extended family, american history, public enemy, corleone family, era american history, criminal class,
Approximate Word count = 1685
Approximate Pages = 7 (250 words per page)

Membership Benefits
Click here to Join Now!
by: Credit Card
Click here to Join Now!
by: Online Check






to Over 32,000 Professionally Written Papers!!!
 


All papers are for research and reference purposes only!
Copyright © 2009 LotsOfEssays.com
All rights reserved. Webmasters make $$$ NEW