Traditional African artistic production
This is an excerpt from the paper...
Traditional African artistic production has historically been misinterpreted or largely ignored by Western scholarship. Essentially African art was relegated to the study of anthropology, rather than formal art, and thus was thought of as primitive, insinuating that African art was un-evolved and backward, as well as the same throughout the huge continent. Kasfir cites the problems inherent in approaching the visual culture of a continent the size of Africa with more than 50 national identities and 800 languages. In spite of this, there has been a tendency to ignore the artistic variety, and lump all visual expression together. Art historian Frank Willett points out, ôthe term primitive art is a legacy from the anthropologists of the nineteenth century who saw the Europe of their day as the apex of social evolutionö (28). Willett contends that the only proper, and sensible way to judge foreign art traditions is on their own terms, and by specific regions, instead
. . .
Some common words found in the essay are:
Introduction Painting, Sheldon Cheney, Essentially African, Frank Willett, african art, Traditional African, Thames Hudson, York Times, John CanadyÆs, traditional african, art introduction, artistic production, Alfred Knopf, Viking Press, traditional african art, york thames hudson, york thames, thames hudson, african artistic, formal art, misjudged primitive, african artistic production, art introduction painting, art york,
Approximate Word count = 654
Approximate Pages = 3 (250 words per page)
More Essays on Traditional African artistic production
|