Tragedies: Sophocles and Shakespeare
This is an excerpt from the paper...
In the tragedies of SophoclesÆ Oedipus The King and ShakespeareÆs Macbeth, we see that both authors write about tragic figures in keeping with AristotleÆs definition of tragedy. In AristotleÆs Poetics, the author defines tragedy as an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not narrative; through pity and fear effecting the proper purgation of these emotions (OÆBrien and Dukore 1-2). For both Oedipus and Macbeth, their actions are serious, complete, and of a certain magnitude, their stories are told through action with embellished language, and emotions through pity and fear achieve purgation. Both Oedipus and Macbeth have a tragic flaw, considered necessary by Aristotle to bring great men down in a tragic manner. Shakespeare tells us that MacbethÆs tragic flaw is ôVaulting ambition, which oÆerleaps itselfö (I.viii.27). OedipusÆ tragic flaw is that he must find the truth, even if the truth reveals him to be guilty of unspeakable crimes. As he
. . .
Some common words found in the essay are:
Ivii16-20 Oedipus, Iviii27 OedipusÆ, Oedipus Macbeth, Unlike Macbeth, AristotleÆs Poetics, King Duncan, Shakespeare Sophocles, Oedipus MacbethÆs, King Macbeth, Macbeth Oedipus, serious complete, complete magnitude, macbeth oedipus, tragic figures, serious complete magnitude, tragic flaw, pity fear, emotions pity fear, language embellished, actions serious, emotions pity, embellished artistic, embellished artistic ornament, language embellished artistic, actions serious complete,
Approximate Word count = 783
Approximate Pages = 3 (250 words per page)
More Essays on Tragedies: Sophocles and Shakespeare
|