The characterization of Arabs in the U.S. media is closely aligned with U.S. foreign and military policy. The media is instrumental in portraying stereotypes or perpetuating racism and prejudice against what becomes the "other." The "other" is necessarily portrayed as inferior or undesirable incomparable to mainstream American values and identity. Berkhofer's model for how media images of the "other" were used against Native Americans is a fitting model to explain the treatment of Arabs in the U.S. media since the 1940s: Generalizing from one tribe's society and culture to all Indians,
Conceiving of Indians in terms of their deficiencies according to White ideals rather than in terms of their own various cultures, and,
Using moral evaluation as description of Indians.
These same criteria and media tools can be observed in U.S. media portrayals of Arabs since the 1940s. This analysis will examine the various portrayals of Arabs in the U.S. media through three periods (1940s-1960s, 1970s, and 1990s) in order to demonstrate how Arabs and Muslim culture are largely devalued and relegated to the modern "other" in U.S. media.
Arabs were largely romanticized and viewed as exotic and part of an alluring Orientalism during the 1940s. Hollywood films were fast to capitalize on such images of romanticized Arabs in a number of films. As Progler (2004) relates, "Oriental fantasies permeated American entertainment all through th