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Claude Monet's Haystacks at Chailly at Sunrise |
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According to Tansey and Kleiner (1996), the Impressionists "sought to create the illusion of forms bathed in light and atmosphere" (989). So it is with Claude Monet's Haystacks at Chailly at Sunrise, an oil on canvas measuring 30 x 60 cm and painted in 1865 (Monet 1865). Landscapes were a common subject of the Impressionists in the latter 19th century. In this particular landscape, the sunrise is used to accentuate a number of haystacks in a field. Compositionally, Monet uses the different sizes of the haystacks and the low-lying clouds to draw the viewer's gaze to the vanishing point of the sun rising. Monet uses color to provide a left-leaning horizon to the picture, drawing the viewer to the muted town to the left of the field. As Tansey (et al. 1996) notes, Monet labeled
Related Essays
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Marmottan Museum in Paris .... "The MusTe Marmottan and Claude Monet." In Monet: Late .... "Passion and Patriotism in Monet's Late Work." In Monet: Late Paintings of .... S. v. "Marmottan, Paul." (3103 12 )
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The Novel Hard Times & Impressionistic Paintings .... at Chatou," Claude Monet's "Cliffs of Petites-Dalles," and Claude Monet's "Jerusalem Artichoke .... Moffett, Charles S. The New Painting: Impressionism, 1874-1886. .... (1491 6 )
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Category: Arts - C
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Monet's Impressionist, Haystacks Chailly, Positioning Monet, Compositionally Monet, Chailly Sunrise, Tansey Kleiner, Painting Viewed, haystacks chailly, Kleiner Eds, viewer's gaze, Art Ages, monet 1865, College Publishers, draw viewer's gaze, sizes haystacks, draw viewer's, chailly sunrise, sun rising, muted colors, haystacks chailly sunrise, monet's impressionist, brush strokes,
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