In the movie "Traffic," the cinematographer is listed as Peter Andrews; this is a pseudonym for Steven Soderbergh, who shot all of the Northern Mexico desert scenes with a hand-held camera, deliberately overexposed, to build atmosphere in the movie. The special lighting convinces the viewer that he is not watching a commercially made movie but rather is an eyewitness to a real-life drama. "The resulting images give an impression of a barren, desolated land being mercilessly burnt by the sun, a no-man's land over which police and
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