1923. The entertainment-oriented dance of the Vaudeville stage did not satisfy GrahamÆs artistic ambitions, however, and she soon left to explore the possibilities of dance and develop her own new language of expressive movement.
GrahamÆs new gestural vocabulary sprang from a place deep within the subconscious. Her dance compositions evoked, explored and expressed the universal psychological and emotional contents of the human soul. Through prolonged, extensive training she developed the physical strength
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