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John Berger's Ways of Seeing |
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In Ways of Seeing, John Berger provides a discussion of the changes wrought by the invention of the camera. Literally as well as figuratively, the "mechanical eye" forged a new way of seeing compared to painting, "The camera showed that the notion of time passing was inseparable from the experience of the visual. What you saw depended upon where you were when. What you saw was relative to your position in time and space" (Berger 18). Primarily, Berger argues that since the camera any object that is properly seen leads to an understanding of capitalist society. Berger makes an argument that any art object we look at is perceived differently by different people in different times and space. This is especially true for different cultures in Berger's view, since he believes that social and political forces are responsible for shaping the values and ideology in artwork. Berger offers many examples to show a Marxist analysis of art, arguing that most artwork reveals the ideas and attitudes dominant a
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Ways of Seeing Art .... and differences in the ways of seeing demonstrated in John Berger's book Ways of Seeing .... connections, force the viewer to think farther about what s/he is .... (1430 6 )
Ingres' The Turkish Bath .... to the representation of women, as well as some ideas he did not touch on--but which the viewer has to ask as soon as s/he compares .... Berger, John. Ways of Seeing .... (1746 7 )
Analysis of "The Turkish Bath" .... to the representation of women, as well as some ideas he did not touch on--but which the viewer has to ask as soon as s/he compares .... Berger, John. Ways of Seeing .... (1724 7 )
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Category: Literature - J
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Nature Rousseau, Body Berger, Conclusion Berger, John Berger, Primarily Berger, Andrews Gainsborough, York Penguin, spiritual value object, berger's view, art object, spiritual value, mechanical reproduction, individual level, berger maintains, value object,
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