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The Vampire in Fiction

than nurturing. The hero who opposes him reconciles the opposing forces of good and evil, light and dark, life and death. The story of Dracula is told as a story of shifting perspectives, and this includes different views of the character of Dracula. The story of the vampire Dracula naturally includes a number of opposing forces or opposing conceptions, and as noted, it also involves an inversion of a number of mythic ideas and principles. Blood is both a symbol of life and a symbol of death, and the use of blood in this novel shows a duality--blood is drained from victims and leaves them dead, but they are resurrected shortly and continue to live in a half-world. Blood is a giver of life to the vampire, and its loss brings death to the victim. Blood is equated with life, and in the novel it is also associated with the non-life of the vampire.

Leo Braudy writes of Anne Rice's version of the vampire legend,

Anne Rice exploits all the sexual elements in these myths with a firm self-consciousness of their meaning, even to the extent of having a more than usually obtuse and bug-eyed interlocutor [in Interview with the Vampire]. . . Homosexuality--defined here as the refusal of adult sexuality (read heterosexuality)--is the hardy hidden mainspring of Rice's narrative, and her message seems to be: if you're homosexual, it's better to be

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The Vampire in Fiction. (1969, December 31). In LotsofEssays.com. Retrieved 22:48, May 18, 2024, from https://www.lotsofessays.com/viewpaper/1681262.html