Dysfuntional Family in Drama
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As noted by Tolstoy in Anna Karenina, "All happy families are alike. Each unhappy family is unhappy in its own way." The dysfunctional family is a major theme in modern drama, but there are many different ways a family can be dysfunctional. The families in several modern drams show different aspects of being dysfunctional, and their unhappiness derives from different social, cultural, and family dynamics. The problem in A Doll's House might be described more as a dysfunctional marriage than a dysfunctional family, for the children are not key to the problem between Nora and her husband, Torvald Helmer. The family in The Cherry Orchard is an extended family whose problems have caught up with its lifestyle. In both plays, economic issues are involved in family dissensions, but the plays differ in other ways. The character of Lyuboff Ranevskaya in The Cherry Orchard offers quite a contrast to Nora in A Doll's House. The Ibsen heroine is at heart an innocent who comes to see the falsity of the social setting in which she lives, while the older Russian woman has lived a less respectable life. Lyuboff is also a foolish woman who is easily gulled by people such as Boris Borisovich. She and her brother both look back now to a happier time, a time symbolized for them by the orchard. Nora, on the other hand, is a young woman forced to face the realities of life for the first time. She has also been foolish in allowing herself to become financially involved with Krogstad,
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Some common words found in the essay are:
Tin Roof, Raisin Sun, Miss Julie's, Anna Karenina, Boris Borisovich, Major Barbara, House Ibsen, Miss Julie, Juno Paycock, Cherry Orchard, dysfunctional family, doll's house, cherry orchard, family cherry orchard, family cherry, family major, family conflict, ties land, raisin sun, shifting social, moon misbegotten,
Approximate Word count = 849
Approximate Pages = 3 (250 words per page)
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