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Modernism Defined |
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In A Glossary of Literary Terms, Meyer Abrams defines modernism as the term used to identify distinctive features in the concepts, sensibility, form, and style of literature and art since World War I (1914-1918). He notes that while the specific features signified by modernism varied with the user, most critics agreed the concept involved a deliberate and radical break with the traditional bases of Western culture and Western art (Abrams 108). In essence, the modernist artist revolted against traditional literary forms and subjects, and this revolt manifested itself strongly after the total destruction of World War I shook men's faith in the foundations and continuity of Western civilization and culture (Abrams 108). Abrams offers T. S. Eliot as an example of a modernist poet. When reviewing James Joyce's Ulysses in 1923, Eliot argued that the traditional and inherited mode of arranging a literary work assumed a relatively coherent and stable social order that could not harmonize with "the immense panorama of futility and anarchy which is contemporary history" (Abrams 108). Abrams notes that Eliot experimented with new forms and styles that, like Joyce and Ezra Pound, often contrasted contemporary disorder to the lost order, which had been based on the religion and myths of the Western cultural past (Abrams 108). Abrams includes among major works of modernist fiction Joyce's Ulysses (1922) and, what Abrams calls "his even more radical Finnegan's Wake" (1939). Abr
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s it is an apt name for Beckett's slothful hero. Shuah is from two biblical sources: Shuah, the grandfather of Onan and in Hebrew, Shuach, son of Abraham and Ketura. Ben-Zvi argues the name offers the attendant narcissistic and masturbatory associations of onanism but also provides other indications of Belacqua's personality. "Shuah" means to be abrasive, to be discouraged and in despair, and to bow down, bend, or sink. All these definitions fit Belacqua (Ben-Zvi 36). Finally, the novel's title is a parody of the praise of good women offered by Geoffrey Chaucer in "The Legend of Good Women" and by Alfred Lord Tennyson in "Dream of Fair Women (Ben-Zvi 36).
Dream of Fair to Middling Women is divided into three parts. Part 1 begins when Belacqua leaves his home in Dublin (Ben-Zvi 37). He travels to Vienna to meet his love, Smeraldina Rima (the little Emerald). However, sex for Belacqua "was a bloody business" and he courts Smerry until she rapes him. "Then everything went kaputt." Belacqua retreats from her advances, no longer able to keep their relations "pewer and above bawd" (Ben-Zvi 37). In Part 2, Belacqua has traveled to Paris to distance himself from Smerry. However, there he encounters the even more voracious Syra-Cusa and,
Category: Philosophy - M
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Anna Balakian, Belacqua Dream, Nonetheless Beckett, Merriam Webster, War II, World War, Finnegan's Wake, Middling Women, Belacqua Alba, Golden Bough, robinson 57, involuntary memory, world war, merriam webster, human existence, ben-zvi 37, kenner 54, dream fair, ben-zvi 36, university press, involuntary memory robinson, dream fair middling, proust's involuntary memory, fair middling women, attempt subvert traditional,
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