The music publishing business
This is an excerpt from the paper...
The music publishing business faces a number of new challenges in the developing Information Age, as does the music business as a whole. These challenges include both threats and opportunities, depending on how the various companies involved respond and on how the industry as a whole shapes future legislation, technology, and even the mind set of the consumer. Music publishing has a lengthy history, beginning before the advent of sound recording and adapting itself to each technological change--sound recording, radio, television, the LP, tape recording, and the compact disk. The music business as a whole adapted to each of these changes as well, and the music industry and the music publishing industry have had a symbiotic relationship as each feeds the needs of the other. This is more true with certain genres of music than others, though music publishers handle more than sheet music and oversee the copyright on songs and musical numbers for ancillary uses such as commercials and to prevent unpaid use. Currently, both the music industry and the music publishing industry face a threat from the computer in an era when music can be sent virtually intact over the Internet, copied by a variety of electronic means, and when the published music as well can be distributed widely over the Internet instantaneously. The industry has not yet settled on a course of action to counter this technology, nor has it come to grips with the many opportunities such technology m
. . .
roblems faced by music retailers, along with a significant number of other major issues. Some of these issues are evident in the process of music publishing, which begins when a composer or arranger submits a manuscript to a publisher. The writer may be under contract to the publisher to submit a certain number of works each year, or the manuscript may be unsolicited. Manuscripts, especially unsolicited ones, are received by the Editorial Department, which is responsible for screening all incoming manuscripts, each of which is registered and reviewed by an editor. The editor evaluates the work for its musical quality and practical feasibility as a published work, and those which meet these requirements are then passed to a Publications Committee for further review and evaluation. Works which are not accepted for publication are returned to the composer. Before music that is accepted can be reproduced and distributed, the legal rights of both the composer and the publisher must be secured, a task performed by the publisher's Legal Department. Before a contract is drawn up, the work is reviewed to see if permissions or licenses need to be obtained, as would be necessary, for instance, in the case of obtaining clearance of a t
. . .
Some common words found in the essay are:
Association MPA, Information Age, Document Library, Pan Alley, Lyric Site, Basel Switzerland, Toney Clapp's, Zomba Music's, Selections Warner's, Music Publishing, music publishing, music publishers, sheet music, tin pan alley, printed music, pan alley, tin pan, music business, american music, grever catalog, composer arranger, american music publishers, mpa document library, internet lyric site, publishers sue swiss,
Approximate Word count = 3005
Approximate Pages = 12 (250 words per page)
More Essays on The music publishing business
|
Customer Service
to Over
32,000 Professionally Written Papers!!!
