Paul Gauguin
This is an excerpt from the paper...
Paul Gauguin was a major artist of the French postimpressionist period. The artist was at his best when he could paint what he called "natural" men and women living with their fears, faiths, myths, and primitive passions, and he created many such works while living on Tahiti from 1891 to 1893 and 1895 to 1901 and the Marquesas Islands from 1901 to 1903 in the southern Pacific Ocean. Gauguin was attracted to primitivism because in this style he could present clearly intelligible images using simple color harmonies to produce pictures that were decorative and pleasing to the eye. One of the important influences on the artist was Japanese art, as first seen by Gauguin at a presentation in Paris. Little is known of Gauguin's early life except that he was born in Paris in 1848 and was taken to Peru as an infant because his father feared the political turn of events in France. His father died on that journey, and his mother continued on with Paul and his sister to Lima. Four years later they returned to Paris and settled in OrlTans. He had an early association with strange cultures which may account for his life-long attraction to the exotic. He claimed to have savage Peruvian ancestry, but this was mere pretension on his part. He spent some years in the naval service, but little is known about these years. However, his sea voyages set a pattern for roving adventure his whole life (Nicholls 5). Gauguin's early artistic tastes were guided and informed by Gustave Arosa, a
. . .
om the post-Impressionistic ideas of Manet and Degas, including the flat simplicity of the Japanese print and a technique developed by Louis AnquTtin known as "cloisonnism," which had been inspired by stained glass. Gauguin visited Brittany, Paris, Arles, and other European locations. He was searching for something he could not find in his normal locale. It was when he read the romantic novel of Tahiti by Pierre Loti that his mind was made up, and he then organized a sale of his paintings to raise enough money to travel to that part of the world (Nicholls 12).
Gauguin was not the only painter influenced by the Japanese at this time. Vincent van Gogh moved to Antwerp in 1885 and studied for some months at the Academy there, but he was too much an individualist to work well in the academic environment and so moved to Paris. There he met Pissarro, Degas, Gauguin, Seurat, and Toulouse-Lautrec. His painting at this time underwent a violent metamorphosis under the combined influence of Impressionism and Japanese woodcuts (Chilvers, Osborne, and Farr 209).
There are no specific references to the aesthetics of japanese prints in Gauguin's early works. The prints became known to the West around the middle of the nineteenth centu
. . .
Some common words found in the essay are:
Gauguin Tahiti, Little Gauguin's, Manet Monet, Camille Monet, World War, Renoir Pissarro, Tpoque France, Arles Martinique, Manet Degas, Japan Western, van gogh, japanese prints, belle tpoque, paul gauguin, japanese print, la belle, la belle tpoque, gauguin york tudor, york tudor, returned paris, gauguin york, nineteenth century,
Approximate Word count = 2744
Approximate Pages = 11 (250 words per page)
|
Customer Service
to Over
32,000 Professionally Written Papers!!!
