Expressionism as an Artistic Movement

 
 
 
 
As an artistic movement, the original form of Expressionism encompassed all progressive movements from Fauvism and Cubism to Futurism and early abstract works. In its later form, Expressionism denoted the artistic movement that reached its peak in the early part of the 20th Century, primarily in Germany (Dictionary of 20th Century Art). This paper will describe the concerns, subject matter and motivations of Expressionism as an artistic movement, and compare it with other aesthetic positions such as Impressionism.

Expressionism may be viewed as a reaction to Impressionism. The Impressionistic movement itself was a reaction to the rigid academic conventions of the Salon. The concern of the Impressionists Monet, Renoir, Manet, Morisot, Degas, Cezanne, Cassatt, Pissarro was to capture "an instantaneous impression of a scene in nature" (Stokstad 1019). Monet's Impression, Sunrise, and Manet's Le Dejeuner sur l'Herbe are two examples. In addition to nature, other Impressionist subject matter included scenes of city life and urban leisure. Examples include Monet's Boulevard des Capucines, Paris, and Renoir's Moulin de la Galette. As Stokstad observes, Renoir glamorized


     
 
 
 
    

 

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