Analytic Cubism

Braque and Picasso essentially created the artistic method of Analytic Cubism between 1910 and 1911. Analytic Cubism analyzes the form of objects by shattering them into fragments spread out on the canvas. This method of painting is a non-illusionistic and non-imitative way of depicting the visual world. Artwork in this style tends to appear abstract, but is, in fact, a carefully planned re-arrangement of the objects in the image. Objects in the image are often fragmented into their various sides so the viewer's eye can recombine them. Analytic Cubism initiated the concept of abstraction in art. It also introduced the concept of distorting the image of observed reality to the point that the object itself may appear to be completely disintegrated.

Thus, Analytic Cubism breaks with the conventional Western model of linear perspective, which was based on Cartesian perspectivalism. Cartesianism privileges linear perspective and views the canvas as a transparent window or a flat mirror. The image created by the artist is a reflection, an epiphany of sorts, of the actual world. The painter captures an etern

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erred to these artists' attempts to reunite our dream and fantasy worlds with our everyday rational worlds so completely that the result was a "surreality," or a reality that superceded our everyday consciousness. Nonetheless, Surrealist painters divided into two approaches according to their interpretations of the processes that Freud and Jung advocated for the reunification of our conscious and unconscious selves. One approach, called narrative or veristic Surrealism, focused on creating realistic representations of dream-like states. Salvador Dali, for example, was one such painter. His hallucinatory paintings illustrated recognizable forms in non-rational expressions. Veristic or narrative Surrealists sought to represent subconscious images without alteration in their paintings because they believed such images were a link between our spiritual and material worlds. The image recorded, rather than imagined or envisioned, a reality that could be deciphered through analysis, which would then reveal the meaning to our conscious self. Despite Dali's own fame, veristic Surrealism was largely ignored and rejected after the late 1940s, in part because it lacked the democratic appeal of emerging movements, in particular Abstra
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Approximate Word count = 3161
Approximate Pages = 13 (250 words per page)

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