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The Experience of Film

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The artistic work, be it a novel, poem, film, painting, or other type of expression, is experienced by the viewer. Interpretation follows, and interpretation leads to knowledge. However, the connection between experience and knowledge is not this simple, for the knowledge gained may be flawed by problems of interpretation, failures in the original perception, and also by external and pre-existing attitudes, prejudices, and beliefs which may color perception, interpretation, and understanding. This is true in any art form, but in some it can be a more powerful influence. Film gives the illusion of being real to a much greater degree than the stage or any other dramatic art form, and yet the audience is aware that the film is not real, that it is created, and that there is a point of view behind this act of creation. With a documentary film, however, the audience is more inclined to accept whatever is seen as real and to fail to realize that there is a point of view shaping the material in a certain way. The experience of the film itself gives the viewer the illusion of direct knowledge. What the audience is accepting is determined by the form--the audience knows when a scene in a fiction film has been staged but accepts that a documentary is "real" and not staged, even though it may be. The artifact Truth or Dare (1991) is a hybrid documentary, utilizing different documentary styles and mixing them with the somewhat different tradition of the concert film. However, c

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archetype, her name deliberately harking back to a religious symbol, while her actions counter what the original archetype represents while at the same time standing for archetypal sexual images serving through time. The documentary film was developed to show reality and comment on it directly, and the audience usually accepts it as such. In the cinema-verite style, it has the immediacy of a live event on television, something we believe we are seeing with our own eyes. The old idea that the camera does not lie has been proven wrong many times, but we still tend to believe it when the camera stands in for our own eyes and shows us a scene unfolding before us. This serves the needs of the mind behind the film Truth or Dare, where there is an attempt to create the atmosphere of the cinema-verite in the way the camerawork is handled, in the basic look of the film, and in the overall style. The style is used constantly on television "reality" shows, and the major difference here is that the film is in black and white, adding another layer of supposed realism to the mix. Black and white is not like, the real world, which is in color, but it is perceived as more real by the audience because of many years of black-and-white new
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Truth Dare, Susan Sontag, , Dare Madonna, Cave Plato, WJT Mitchell, Carl Jung's, Republic Plato's, Anima Georges, truth dare, experience knowledge, black white, Thomas Mclaughlin, allegory cave, documentary film, concert footage, viewer version knowledge, material experience, project image, own eyes, guiding viewer version, art form, georges de la, interpretation leads knowledge, intelligence guiding viewer,
Approximate Word count = 1676
Approximate Pages = 7 (250 words per page)

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