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and it developed form the general disillusionment with the "old ways" of many leftleaning intellectuals in postWorld War I Germany. Among the elements rejected were rule by the upper classes, imperialism, militarism, and expressionism, and the new way of thinking was outlined in several manifestos published just after World War I. The writers called for the consolidation of artistic talent, government, and architecture, and it was more egalitarian in that it intended to make art a way of life for all the people, not just a small m

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