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I Don't Have to Show You No Stinking Badges

scenery flats and their supports are entirely visible, as they might be to a live studio audience at a taping. . . The use of music in this play approximates the sort of underscoring found in television and on film (Valdez 157).

This media-referential set immediately causes the viewer to question the reality of what is presented on stage, and the play as a whole thus toys with various levels of reality, with the meaning of reality itself, and with the role of the media in shaping our view of what is real and

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I Don't Have to Show You No Stinking Badges. (1969, December 31). In LotsofEssays.com. Retrieved 04:51, April 29, 2024, from https://www.lotsofessays.com/viewpaper/1707970.html