n, but he is actually ambivalent about the wealth and sterility of the environment, at least before Circe arrives. After all, he is living there, is able to paint and live as he likes (although he discounts his present worth as an artist), and he uses the place to store "the most important collection of Abstract Expressionist paintings still in private hands" (8).
Loneliness is what rules Rabo's life. He feels worthless, is friendless but for another failed artist who also feels worthless, and has no hope of ever again expressing himself creatively or with joy. He hates his old body and his one eye, the other being damaged in World War II. He seems to have no reason to live, whether in Long Island or anywhere. The estate and his wealth at least allow him the opportunity to live without having to worry about being homeless or hungry. Sti
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