Members
Login
Sign Up!!!
Categories
Arts
Business
Custom Research
Economics
Film
Foreign
Government and Law
History
Literature
Medical
Miscellaneous
People
Personal Essays
Philosophy
Psychology
Science and Technology

Support
FAQ
Customer Service
Site Search

     Home Customer Service Acceptable Use Policy Site Search

     Enter Search Topic:
 

Already a member? Go here to log in and view the entire paper!

Join Now!
by: Credit Card
Join Now!
by: Online Check
Membership Benefits

Henry Purcell (1659-1695)

This is an excerpt from the paper...

Henry Purcell (1659-1695) was one of the greatest English composers. In a very short lifetime he managed to write a large amount of music in various genres, much of which is still played and admired today. But Purcell's greatest talent was in the composition of vocal works and English opera had not yet developed sufficiently in Purcell's lifetime to give him the scope his talent required. Rather than writing full-scale operas Purcell wrote scores for a hybrid form of dramas with music and incidental music for a great number of plays and masques. Despite the failure to find a perfect match between his talent and the complementary musical form, Purcell wrote theatrical music of great dramatic power and works of other types, such as those for keyboard, that were both charming and brilliant.

It is assumed from later evidence that Purcell was born in 1659. The following year the restoration of the monarchy brought Charles II to the throne and Purcell's father Henry was among the musicians who benefited from the return of the royal music, "the nation's largest musical institutions," which had been disbanded at the outbreak of the Civil War in 1642. Purcell died in 1664 and the young Henry was raised by his paternal uncle Thomas. Thomas and Henry were active office seekers and Thomas held no fewer than seven royal posts, ranging from Groom of the Robes to being one of the composers for the newly-instituted Twenty-four Violins--a royal ensemble on call for the provision o

. . .
ormed at the end of the eighteenth century. It was fortunate that this proved to be such a strong area for Purcell since the royal patronage of music underwent serious reversals in the 1780s. Under Charles II spending was out of control and musicians sometimes had to wait as long as five years to collect their salaries. As a result they "had been forced to supplement their incomes by teaching, playing in theaters, and giving public concerts" and when the arrears were finally paid in 1685 it was too late and the royal musical establishment was no longer the center of England's musical life. Charles died in the same year and James II engaged in a series of reforms and financial retrenchments so extensive that by 1690 court employment became "just an occasional activity on ceremonial occasions" and this year saw the beginning of Purcell's truly "hectic life in the theatre." Purcell had written his only true opera (with continuous music) Dido and Aeneas during the 1680s, ostensibly for performance by a girls' academy in London--but the piece does not seem to have been given a public performance during Purcell's life. Charles II had tried several times to establish an English opera company of the Italian type and Purcell was
. . .

Some common words found in the essay are:
Charles II, French English, Dream Purcell, Henry Purcell, Chapel Royal, Welcome Viceregent, Purcell England, Lessons Harpsichord, Purcell Blow, Twenty-four Violins, henry purcell, purcell wrote, charles ii, purcell's death, english opera, eighteenth century, incidental music, henry purcell 1659-1695, opera composer, 2d ed, university press,
Approximate Word count = 2128
Approximate Pages = 9 (250 words per page)

Membership Benefits
Click here to Join Now!
by: Credit Card
Click here to Join Now!
by: Online Check






to Over 32,000 Professionally Written Papers!!!
 


All papers are for research and reference purposes only!
Copyright © 2009 LotsOfEssays.com
All rights reserved. Webmasters make $$$ NEW