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e the most common type of pose used by portraiture artists until the 1470s, when artists began painting portraits of individual in three-quarter and full-face perspective. BotticelliÆs Portrait of a Young Man is nearly a full-face portrait and, according to Tansey (1996), Italian painters adopted such a perspective ôperceiving that they increase the viewerÆs information about the subjectÆs appearance and allow the artist to reveal the subjectÆs characterö (p. 719). In th

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