Members
Login
Sign Up!!!
Categories
Arts
Business
Custom Research
Economics
Film
Foreign
Government and Law
History
Literature
Medical
Miscellaneous
People
Personal Essays
Philosophy
Psychology
Science and Technology

Support
FAQ
Customer Service
Site Search

     Home Customer Service Acceptable Use Policy Site Search

     Enter Search Topic:
 

Already a member? Go here to log in and view the entire paper!

Join Now!
by: Credit Card
Join Now!
by: Online Check
Membership Benefits

Arab Poet Abu Nuwas

This is an excerpt from the paper...

Philip F. Kennedy (1) maintains that Abu Nuwas is considered by most literary historians to be ôthe finest wine poet of the Arabic tradition.ö Nuwas, a homosexual, devotes many of his wine songs to subjects relating to love, lust, and sexuality. In so doing he ôrejected the stale bluster of the qasida,ö while incorporating the celebration of the beloved associated with the nasib (Widening 123). This essay will provide textual analysis of one of NuwasÆ wine song poems in order to demonstrate the unique style and often disreputable subject matter of the poet.

Many of Abu NuwasÆ wine poems draw on elements that pertain to the ôbacchic theme in earlier poetry,ö and in this poem we see these themes readily displayed (Kennedy 2). Persian, Nuwas writes in the tradition of ôthe old hard-drinking culture of the Sasanian Persian courtö (Widening 123). We see in this poem he is being berated for ôtaking a morning drink,ö but counters that the woman berating him is one ôNot knowing as yet that I am munificent and love those amongst my drinking companions that are like myselfö (Select 1). In many Arabic wine poems, the ôpoet rebuts the censurerö through fakhr according to Kennedy (149).

The poem by Nuwas demonstrates the conventional movement in wine songs that developed during the Abbasid period, from ôcontemplation of what his cup contained to contemplation of the boy who had brought itö (Widening 122). In this manner wine songs or wine poetry became fused with

. . .
s the body from the control of logic and traditions, into a symbol of total liberationö (Widening 123). Indeed, in this poem we see that the speaker has no inhibitions about describing the boyÆs impact on his libido. For the wine bearer is described in a manner that makes it apparent that the speakerÆs intoxicated state has made him completely lost in the boyÆs charms, ôIn whose eyes there is obvious magic, and in whose fragrance is a sweet smell like the diffusion of perfumeö (Select 2). The speaker continues to submerge himself in the boyÆs appeal through imagery that includes the sun, moon, wine, and fine jewels, ôHe is the full moon, though there is a beauty in his languid glance that excels the sun and the moon. / He laughs to uncover a pretty set of teethùthey are like bubbles of wine or choice pearlsö (Select 3). Kennedy (81) argues that in a number of his wine poems, Abu Nuwas ôstepped beyond convention to produce a rich texture of eroticism.ö This rich texture of eroticism is readily apparent in the poem at hand. The ôfawn-like youthö nod his head ôin assentö to the wind, ôbeckoning the carousers to enjoy themselves whilst inclined in gait by inebriationö (Select 3). Nuwas is basically defining an orgy but does so i
. . .

Some common words found in the essay are:
Abu Nuwas, Sasanian Persian, Abu NuwasÆ, Arabic Poetry, Persian Nuwas, wine songs, nuwasÆ poem, Philip Kennedy, select 3, abu nuwas, wine bearer, wine poetry, arabic wine, select 1, nuwasÆ wine, Univ Press, despondent love, Classical Arabic, Song Classical, Wine Song, wine songs wine, wine song classical, songs wine poetry, arabic wine poetry, classical arabic poetry,
Approximate Word count = 1289
Approximate Pages = 5 (250 words per page)

Membership Benefits
Click here to Join Now!
by: Credit Card
Click here to Join Now!
by: Online Check






to Over 32,000 Professionally Written Papers!!!
 


All papers are for research and reference purposes only!
Copyright © 2009 LotsOfEssays.com
All rights reserved. Webmasters make $$$ NEW