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The Parthenon and the Pantheon

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The Parthenon in Athens and the Pantheon in Rome are two of the greatest surviving monuments of ancient civilizations. Though they came from very different cultures, the two buildings have a great deal in common. Both monuments were symbols of the political goals of the rulers who built them. Each building is also considered the ultimate achievement of a period in architectural history. But, the two monuments also demonstrate differences between Greek and Roman ideas about architecture and the state.

The two monuments have similar recent histories. Both are so well preserved because they were adapted by later cultures. The Parthenon was the only temple ever to be used by four different religions (ancient Greek, Catholic, Greek Orthodox, and Islam). The survival of the Pantheon was due to its use by the Catholic Church's as a church, a function that continues today.

The Parthenon, a temple dedicated to Athena Parthenos (Athena the Maiden), is the largest building on the Athenian Acropolis. "Acropolis" was the name given to the highest point of the city. This was always the most easily defended spot, and the main temples, treasuries, and major civic buildings were placed there. The Athenian Acropolis still has large parts of several monumental structures from the building program initiated in the fifth century BC by the statesman Pericles.

There had been a temple on the same spot, but it was torn down in 488 BC to build a new temple. In 480 BC, in the war with th

. . .
the outer columns featured Doric metopes that contained sculptured depictions of battles between "eternal adversaries" such as the Greeks and the Amazons, and the Greeks and the Trojans (Kostof 155). Inside the peristyle, however, the architraves over the porch columns were distinctly Ionic rather than Doric. They did not contain Doric triglyphs or metopes, but consisted of a sculptural frieze that ran in a continuous band around the entire cella. This frieze was not only an indication of the future of temple architecture, it also signified a change in the subject matter included in temple decoration. The frieze depicted the Panathenaic procession, which was held on Athena's birthday every year, "after several days of contests for athletic skills, chariot racing, music, and the like" (Kostof 150). This was the first time that the citizens themselves were depicted on a temple. Their presence, and that of the goddess inside, symbolized the nature of the "polis' (city). The people were "the human content of the polis, what the polis is made of," while Athena "is its sacred embodiment" (Kostof 155). The Greeks had two duties, to venerate the gods and be members of the polis. This "dual covenant" is symbolized by the processi
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Some common words found in the essay are:
Phidias Greek, Parthenon Pantheon, Ionic Doric, Ward- Perkins, Hadrian Pantheon, War Janson, Augustus Caesar, Pantheon Rome, Athenian Acropolis, Athens Kostof, york abrams, kostof 155, janson 131, interior space, kostof 218, parthenon built, doric temples, inside pantheon, parthenon temple, gods parthenon,
Approximate Word count = 1686
Approximate Pages = 7 (250 words per page)

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