"Murderers" by Leonard Michaels demonstrates the vast repercussions of insensitive acts. Violating another person's privacy is a criminal act. Although the boys in the story did not actually murder anyone, their actions resulted in the death of innocence for themselves and for the rabbi and his wife.
A significant feature of "Murderers" is its pace and rhythm. The reader experiences a sense of danger early on by the foreshadowing statement: "I wanted proximity to darkness, strangeness. Who doesn't?" (Michaels 342). This statement reveals Philip's motivation and need for adventure. He doesn't want to end up like his Uncle Moe, now dead of a heart attack, who "shuffled away his life, in the kitchen or toilet, under the linoleum, near the coffeepot" (Michaels 342). Thus Philip "became an expert in the subway system," traveling to far-flung neighborhoods of New York City (Michaels 342).
When Philip and his friends learn that the Rabbi is home, the pace of the story quickens. The boys run to their destination; no words are necessary. They scramble to their perch on the water tower with drill-like precision; it is a route that they have taken numerous times before: "How many times had we risked shameful discovery, scrambling up the ladder . . . " (Michaels 344). The pace of the story grows more urgent as the rabbi and his wife stimulate their love-making with rumba music. Michaels even inserts an entire stanza from the Choo Choo Lopez Rumba (Michaels 344). Michaels describes the love act in short, throbbing sentences. The climax of the lovers coincides with the fatal accident that sends the boys rumbling down the ladder of the water tower. Exacerbating the terror of Arnold's slide to death is the rabbi's discovery of the boys, his screaming fury, and the relentless rhythm of the rumba: "We moved down the ledge as quickly as wee dared. Bongos went tocka-ti-tocka, tocka-ti-tocka" (Michaels 345).
The rabbi's labe...