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ging, the jingles, the slice-of-life commercials, the products hurtling out of the darkness, the coded messages and endless repetitions, like chants, like mantras. 'Coke it is, Coke it is, Coke is it,'" (51). Lists of nouns, proper nouns as well as the ordinary names of ordinary things, form a significant part of DeLillo's structure, forcing the reader to look at all the objects which make up a modern life. The list with which he begins defin

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